Ken Brown








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The Spaceships of Ezekiel


At all times we must remember that Ezekiel does not interpret what he sees, because he cannot interpret it. What he does is describe to the best of his ability the optical and acoustical impression, and in so doing he uses means which are available to him in view of this phenomenon.

Ana de Mendoza


Ana de Mendoza, Princess of Éboli (1540-1592). This renaissance badass lost an eye in a mock fencing duel when she was 14, and spent her last 13 years in prison after revealing state secrets.

Les Baxter




Chema Madoz






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Konstantin Bronzit











Fortunato Depero (1892-1960)


Marinetti nel Trentino (Depero, 1932) - Movement (New Order, 1981)


La Dinamo Futurista (Depero, 1933) - Procession (New Order, 1981)


Commendatore Campari (Depero, 1926) - Museo dell'aperitivo (Mario Botta, 2010)



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Polish matchbox labels





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Shipwreck with Spectator


Hans Blumenberg, in his book-length essay Shipwreck with Spectator, writes of the shipwreck as a form open to many interpretations. 

Talking Pictures


Gustave Doré




Gustave Doré's (1832-1883) illustrations and Dante's Divine Comedy have become so intimately connected that even today, nearly 150 years after their initial publication, the artist's rendering of the poet's text still determines our vision of the Commedia.

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