1/21/11

Christer Strömholm








mais aqui

1/20/11

Valérie Belin








mais aqui

Javier Pinon








mais aqui

1/13/11

1/12/11

Zubin Pastakia - The Cinemas Project







This series visually traces the lives of Bombay’s disappearing single-screen cinema halls.

Once symbols of modernity, the relationship that many of these halls share with the city has changed significantly as colonial Bombay metamorphoses into "post-industrial" Mumbai.

On the one hand, this collection of images is a repository of the architectural form and interior detail of these buildings that range from the classic to the idiosyncratic. These buildings seem to exist today in defiance of the generic aesthetic and cultural experience of the city’s new multiplexes.

However, to view these halls merely nostalgically—and to cast them off to history—would be to deny them a place in the present; our lived present that is in constant play with time past and pending.

As I explored these cinemas, which are simultaneously spaces of dwelling, labour and spectatorship, they revealed themselves to be sites of deep affective investment, traces of which are evident in every nook and corner.

aqui

1/7/11

La Cabina - Antonio Mercero (1972)

1/5/11

Cindy Sherman "Doll Clothes" (1975)

Geoffrey Jones, Snow. 1963

1/4/11

‎16-bit Intel 8088 chip



with an Apple Macintosh
you can't run Radio Shack programs
in its disc drive.
nor can a Commodore 64
drive read a file
you have created on an
IBM Personal Computer.
both Kaypro and Osborne computers use
the CP/M operating system
but can't read each other's
handwriting
for they format (write
on) discs in different
ways.
the Tandy 2000 runs MS-DOS but
can't use most programs produced for
the IBM Personal Computer
unless certain
bits and bytes are
altered
but the wind still blows over
Savannah
and in the Spring
the turkey buzzard struts and
flounces before his
hens.

Charles Bukowski



via RETrOZONe

Ryszard Maścianica - Samobójstwo (1973)

Piotr Dumala - Dr Charakter Przedstawia











1/1/11

Shooby Taylor, the Human Horn